In the work Global Shutter, the exposure time of a video is transferred to its soundtrack, so that it is audible for the corresponding duration of each frame. As a result, the gaps between the individual frames become sensually perceptible, the illusion of continuous movement is disrupted, and the quantization of information becomes audible.
The video shows the suburbs of Vienna, which are examined in terms of their significance as a non-place and contrasted with the discrete, disconnected frames as a place of disconnection, loneliness, and similarity.
